Charles Shaar Murray presents Robert Crumb, Gilbert Shelton, Fat Freddy’s Cat, the Oz Trial, Felix Dennis, Geoffrey Robertson and Deyan Sujic in July.
It’s a dirty job, but someone’s gotta do it. Since I must have done something good in a previous life (or maybe even this one), I was invited by the curators of the British Library’s Comics Unmasked! season to host a pair of back-to-back panels on the evening of July 14. The second will be cool enough — a retrochatty thing on the OZ Obscenity Trial featuring Felix Dennis (among many other CV items, one of the three editors of the Schoolkids Issue which kicked off the whole hilarious mess), Geoffrey Robertson (distinguished civil rights lawyer who worked on the defence case as a junior to the late John Mortimer) and Deyan Sujic (now a frontline architecture guru but, back in 1970, the sole skinhead member of the OZ Schoolkids posse).I may also be contributing one or two of my own recollections.
The first, however, will be a rare joint public appearance (arf, etc) by the two most distinguished cartoonists to emerge from the San Francisco underground of the late ’60s: Gilbert Shelton (creator of The Fabulous Furry Freak brothers, Fat Freddy’s Cat and Wonder Warthog) and R. Crumb (creator of Mr Natural, Fritz The Cat and — ummmm — R. Crumb). The latter will, we hope, also be sticking around for the OZ panel since it was a culture-jam mash-up of one of his strips with the Daily Express’s Rupert Bear which caused so much of the agg and trubb.
My answer? You’ve got two guesses, and one of them doesn’t count. The words ‘pleasure’ and ‘privilege’ spring irresistibly to mind.
(Almost) everything you need to know about this fabulous cultural event can be found here. It’s sold out — quite rightly, too — but it may be worth checking with the organisers to see if there are any available returns you can snaffle.
In the meantime, I’ve been catching up with the latest collections of both Crumb and Shelton’s work from Knockabout Comics – needless to say, I salute their indefatigabilty – and urge y’all to do likewise.
Hope to see you there …
Plus I’m immensely flattered that, out of all the work by megadistinguished comix creators which could have been chosen to represent the 1988 Alan Moore-edited anti-Clause 28 comic AARGH! (Artists Against Rampant Government Homophobia), the one that the curators chose to display and to excerpt in the catalogue was the one I wrote (illustrated by Floyd Hughes), entitled Friday Night At The Boozer. All I can say is: my output as a comix writer is tiny … but cute.
PS As an added tasty treat, I’ve commenced the reconstruction oof this site’s Comics section with a piece I wrote about Crumb some years back — find it here.