Crumb, Shelton & Me: The Fabulous Furry Comix Brothers

crumbcsmshelton

Charles Shaar Murray interviews Robert Crumb and Gilbert Shelton at the British Library Comics Unmasked event. Plus Oz trial panel discussion.

Into the life of an impecunious freelance kulchah pundit occasionally comes a proverbial Dream Gig. Being invited by the honchos of the British Library’s Comics Unmasked season to host and chair a panel with the two greatest figures of First Wave Underground Comix — namely R(obert) Crumb and Gilbert Shelton was one such. I mean, I’ve adored and admired the work of both these guys since my teens, and here was an opportunity not only to meet them but to chat with them before a sold-out audience and attempt to provide the specks of grit around which the creators of Mr Natural and The Fabulous Furry Freak Brothers could spin their respective verbal pearls.

With incomparable restraint and iron determination, I managed to restrain myself from lapsing into Fanboy Babble Mode for the first hour of the event during which i cajoled the legends into discussing their experiences in late ’60s West Coast kountah-kulchah, the effects of pyschedelics on them and their work, their earliest cartooning influences, their differing creative processes and other way-fascinating stuff. We were then joined for a second panel concerning the OZ Schoolkids Issue and the resulting legal shenanigans by Geoffrey Robertson QC, Dick Pountain (a veteran underground press hand deputising for our old friend Felix Dennis, who’d gone to somewhat drastic lengths for copping out on the panel) and my fellow ex-OZ schoolkid, architecture guru Deyan Sujic. I was only slightly distracted by a guy in the audience who could have won an Alan Moore Lookalike Contest even if Alan Moore himself had been participating.

The evening concluded with a banquetty thing at the Groucho Club (not one of my regular haunts, I must confess) where we were joined by Terry Gilliam (who’d worked alongside our two heroes in New York at Harvey Kurtzman’s HELP! magazine during the early ’60s) and where I discovered, much to my gleeful surprise, that a Seriously Famous Movie Star is a major fan of my Jimi Hendrix book, Crosstown Traffic.

So what were they like? Even cooler than I’d hoped. Shelton is a laid-back, dry-witted senior hippie and Crumb presents an elegantly dapper and sardonic figure bearing only a passing resemblance to the frazzled misanthrope of his on-the-page self. Video clippage is imminent.

Nobody seemed to have any bloody dope; everybody’s so damn respectable nowadays … but everything else one could have desired was present and more than correct. They even tell me I’m getting paid, too … miracolo!

Watch a video of the OZ Schoolkids Issue obscenity trial debate at Comics Unmasked.

Pix: Mr Crumb, Mr Me and Mr Shelton by Ander McIntyre; Aline Kominsky-Crumb and Anna Chen by Lora Fountain.

Anna-AlineCrumb-med copy